this shows many different possible shots from different angles to show the scene from an all around view so that we know the different shots and ideas we can do when it comes to shooting the final sequence.
this shot shows a possible location for the main characters walking to meet or even have the fight here as in the right lighting it could look quite good.
this church could be an effective backdrop for a panning shot as it is quite old and from the right angle and in the right dimness it could look imposing and sinister and add to the mood of the shot
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this canal links to the one by Wickes which means it will fit with the picture if we need this particular location as an added help.
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this place can be where the car pulls up when the driver drops the woman colleague off to meet the double agent; it has enough space for the car to pull around fast and make it look like a believable thriller.
this is the warehouse we are going to use as the backdrop as the warehouse where the drug dealers are based which can connect the story as to why he has left the warehouse in the first place.
we could use this alley as part of the journey between the meeting of the agents as it looks quite old and dilapidated and in the right lighting could look intimidating
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these six photos can be used as the places for the pan and match on action shots we are going to use to add the suspense and mystery to our title sequence. i think the dilapidated look and barren feel to them with the added effect of dim/ murky lighting will help the story have the desired effect
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